John Carpenter’s Remake of The Thing Wasn’t a Remake

There seems to be some disagreement and misinterpretation on John Carpenter’s The Thing. I’ve read it online, spoken about the movie with other fans (as it happens to be a personal favorite), and keep hearing how it was a remake of The Thing from Another World. As a hardcore fan of these movies, I felt compelled to write about them, and how this popular opinion is contrary to what appear to be facts.

There are three renditions of the film, The Thing. John Carpenter’s 1982 version is arguably the most popular, which by majority opinion is a remake of the original, The Thing from Another World, originally released in 1951. Another addition to the franchise was introduced in 2011, which was thought (depending on opinion) to be a prequel of John Carpenter’s or second remake of the original 1951 classic.

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The Thing from Another World 1951

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The Thing 1982

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The Thing 2011

 

So there are two remakes for the same film? Sure, it’s not unlike Hollywood to rehash the same thing (pun intended) more than a few times, but this isn’t the case. In the original 1951 story, scientists uncover an alien spacecraft buried under ice near an arctic research station where they work. They find an extraterrestrial pilot frozen in the ice and dig it out. The being accidentally gets thawed out, and things go downhill from there.

The story of John Carpenter’s 1982 version is in fact a sequel to the original. In the story, American scientists working at a different arctic research facility are startled by a helicopter coming toward their base, which is chasing a dog, a man firing at it with a rifle. The dog escapes unscathed and the helicopter pilot is killed in an accidental explosion while trying to kill the dog with a grenade.

When the American scientists go to the other research base to investigate the strange behavior of the unexpected visitors, they find the place deserted and mostly destroyed. They also find video footage of the scientists finding the spacecraft and the chunk of ice the creature originally escaped from.

This tells us that this is in fact a sequel, not a remake. It follows events which take place after the original film.

The 2011 version, again considered a remake, technically is. But not of the film most people associate it with. It’s not a remake of John Carpenter’s film, but of the original 1951 version. It’s the story of the Norwegian scientists who found and unleashed the alien in the first place. The movie even ends with the dog escaping (presumably thought to be the alien creature) while being chased by a helicopter. This movie could be considered a prequel to John Carpenter’s version, if anything, as it ties the events together more closely than the original 1951 version.

I hope this makes you want to watch and enjoy these movies again (or for the first time if you haven’t seen them), if only to see for yourself how they are truly connected.

7 Obscure Disturbing Movies You Might Regret Watching

 

Fans of horror cinema love their movies. Most of us are always looking for that next film that puts us on the edge of our seat—literally. Once you’ve seen the worst of the worst it’s hard to get a good scare out of even the most terrifying scenes. There’s another way to achieve success in finding things that will scare even the most seasoned horror fan—find movies that aren’t necessarily horror, but unsettling in the worst ways. Stuff that makes you question your choices in movies, things that stick in your memory like a photograph, moments you know you will never forget. For the rest of your life…

Upstream Color

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In the movie’s description, it’s classified as a cerebral science fiction piece. And it is…but not one for the faint of heart. Some of the scenes are downright disturbing as hell. To put it simply, a thief uses hypnosis drugs obtained from a rare plant to violate and steal people’s money. The drug turns into a parasitic worm that must be removed from the victim. Once it’s removed it’s placed inside a pig. From then on, the person wakes up from the hypnotic state and has no memory of what happened, but retain a psychic connection to the pig who has their parasite inside it. The man who takes care of the pigs, (dubbed ‘the pig farmer’) touches the pigs and can see through the eyes of whoever had that pig’s parasite. The pig farmer breeds the parasite infested pigs and drops the piglets in a river. When the bodies decompose, the drug is reintroduced into the flowers where the hypnosis drug came from in the first place. It’s a difficult movie to understand. There’s very little dialogue, and much of the film is shot in short scenes that jump from one character to the next. It’s like pieces of a puzzle that you have to put together through interpretation, and the film as a whole can be seen from different perspectives.

I Don’t Feel at Home in This World Anymore

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This movie starts out as a quirky but well-made independent film, but has its unexpected moments that get absolutely gruesome. The plot revolves around a woman whose house is robbed. She calls the police but gets no help. She ends up meeting an oddball neighbor down the street who helps her track down her stolen laptop, but when they get it back, they discover the people who had it bought if from a pawn shop and weren’t the thieves after all. They go on a quest to find the thief and things go from weird, to bad, to an all-out WTF moment…

Fire in the Sky

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This was based on a true story, where a man named Travis Walton claimed to be abducted by a UFO and was subjected to terrifying and agonizing medical experiments. It isn’t exactly considered a horror movie in general terms, but it’s quite possibly the most realistic cinematic representation of an alien abduction ever created. The scenes of Travis Walton inside the spacecraft, the experiments and strange tools, and the physical appearance of the extraterrestrials themselves, are enough to induce nightmares in even the most seasoned horror fan.

One Hour Photo

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When one thinks of a movie starring Robin Williams, titles like Patch Adams, Jumanji, and Mrs. Doubtfire come to mind—movies full of good laughs. But late in his career Robin Williams began to explore darker roles in movies like Insomnia and The Final Cut. But none of these films compare to the horror of One Hour Photo. The film is about a painfully lonely man who works as a one-hour-photo technician. He becomes obsessed with a particular family who over the years have had their film developed where he works. He has an entire wall in his apartment covered in every photo the family has ever taken, lit up by industrial spotlights. It’s by far the most disturbing role Robin Williams ever played, and just the fact that it’s him makes it even more unsettling.

Eraserhead

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Anyone who knows the name David Lynch has seen some messed up stuff that doesn’t really make any sense. Even if you try to rationalize what you see in his films, it just doesn’t add up; there are always loopholes. But his first film is undoubtedly his most horrifying. The entire atmosphere is filled with unsettling sound and desolate images. But the ending is what burns into your memory. It’s something you’ll probably remember as long as you live. There’s speculation on what the true meaning of the film is, even though it makes more sense than most of his other work.

The Lobster

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This film is extremely unusual and the reality it portrays is terrifying. It’s set in a world where being single is unacceptable by society and is even prohibited by law. If you’re single for a certain period of time, you’re sent to a rehabilitation center with other single people and given a short deadline to find a mate. If you can’t find one, they use a strange technology to turn you into an animal of your choice. The main character chooses a lobster, and enters the center with his dog (who is actually his brother turned into a dog). He tries and fails to find a partner. In fear of being turned into an animal, he escapes and finds a band of rebels living in the forest outside the facility, who ironically are opposed to being in a relationship and punishes its members if they don’t stay single. He’s thrown from one extreme to another, but finally finds love. And pays a high price…

Antiviral

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David Cronenberg is known for making some of the best and most memorable horror films out there. And although none of his movies are on this list, he’s worth an honorable mention. And because his son, Brandon Cronenberg made this movie. It’s set in the future, where obsession with celebrities has become a disturbing phenomenon. When celebrities get sick, or get a disease, fans can purchase the disease and experience it themselves, making them feel closer to their favorite star. A company purchases blood samples directly from sick celebrities and infect customers with it. If that isn’t twisted enough, there are butcher shops that cell cloned human meat, and it’s cloned from the cells of their favorite celebrities. In this sick world, one can actually eat their favorite movie star, singer, or other famous person. But the ending of the movie is where it crosses the line. I won’t spoil it for you. See it for yourself…

UFOs: Two Possibilities Exist

I’m happy to announce the release of Living Paranormal Magazine’s second issue, which includes my article about UFOs and the first widely documented abduction, titled ‘UFOs: Two Possibilities exist’. This issue is filled with great articles and stories about the world of the paranormal. Free to download and enjoy! Just click the link below!

Birdemic: Shock and Terror

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This week I watched Birdemic: Shock and Terror. I’m not really sure what to say about it. It’s either intentionally the worst movie ever made, or… I don’t know. I just don’t know. Most of the movie just follows the main character’s boring life. He eats breakfast. He leaves the house for work. He stops for gas. He gets stuck in traffic. He spends his day at work. And it goes on and on like that for quite some time, showing every little thing he does throughout his day.

Then, suddenly, birds! Birds in the sky, dive bombing gas stations with airplane sound effects and explosions. Airplane sound effects? Yes, that’s right. The movie just gets worse from there.

Why are birds dive bombing gas stations like airplanes and exploding on impact? That’s explained by some guy standing on a random bridge who goes on a ten minute rant about global warming. This happens again later in the movie when they meet some guy who lives in a tree house. He goes on a rant about how global warming is killing the forests and he lives there to protect the trees.

The whole movie seems like a failed attempt at sending a message about global warming. I don’t know what else to say about it, other than the fact that Birdemic: Shock and Terror has the worst special effects in history. Plan 9 From Outer Space is a work of art in comparison.

Hercules Against the Moon Men

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Hercules against the Moon Men, released in 1964, was this week’s random bad movie choice. Overall, it wasn’t the worst movie I’ve ever seen. It would have been much better with more moon men and less close-ups of Hercules’ overly shiny chest.

In the Mouth of Madness

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In the 1994 film, “In the Mouth of Madness,” directed by John Carpenter, there is one scene that I’ve never stopped thinking about. If you haven’t seen the movie, go watch it, then finish reading this.

The scene I’m talking about is when Sam Neil and Julie Carmen are in the car together, on their way to Hobbs End. She’s sleeping in the passenger seat. He opens the glove box, takes out a horn, and honks it in her ear to wake her up. Anything seem odd about that?

After seeing the movie a number of times I said to myself, why the hell does he have a horn in his car? Who carries around a horn in the glove box?

This scene confirms and reveals the true nature of what’s going on in the story in such a subtle way that you don’t notice it until you think about it.

The only explanation for why he had a horn in his car is that Sutter Cane wrote it that way.

Chopping Mall/Night of the Comet Easter Egg

Chopping-Mall-1986night of the comet Just watched ‘Chopping Mall’ for the first time. A classic 80’s horror movie. Released in 1986, it had Kelli Maroney and Mary Woronov, both from ‘Night of the Comet’. It also had Barbara Crampton from ‘Re-animator’ and ‘From Beyond’. I’m not sure if it was intentional or not (I’m pretty sure it is) but in the scene where they’re trying to shoot a propane tank to blow up the elevator, Kelli Maroney grabs a pistol and hits it with her first shot. Then she says, “My dad’s a Marine.” An obvious reference to ‘Night of the Comet,’ where her character’s father is in the military and both her and her sister are proficient with firearms.

(Update for this post, Kelli Maroney commented on a post regarding this article, confirming the Easter Egg was intentional.)