Why Video Games are Important for Horror

As a horror writer, naturally I have an affinity for literature, as well as movies. But what I talk little about are video games, and the underappreciated value they provide the genre.

Video games have been a significant and important part of my life. Ever since I had a Pong set, then moved to the Atari 2600, and on to the NES, I played and loved every gaming console since. I grew up on them, my kid grew up on them. And we’ve been playing them together since they could pick up a controller.

To me a good game is a work of art, much like a novel or movie. A video game combines a multiple art forms into one piece. Music, story, visuals, and voice acting. What’s compelling about horror games is they put you directly in the action. You control the character, and for first-person view games, you are the character. Suddenly, running from nightmarish monsters can be quite terrifying and if you’re really into the game, it actually gets your heart pumping. You feel the excitement and adrenaline rush of trying to stay alive.

Not all games are created equal. Just because you pick up a horror themed game doesn’t mean it’s going to scare the hell out of you. Games such as the Dead Rising series are great games, lots of fun to play, and even have nods to classic zombie movies, but they aren’t frightening.

I recently played a game called Outlast. Now that’s the kind of game I’m talking about. It’s a first-person view survival game, where you play the part of a journalist sneaking into an abandoned mental asylum for a story. There are no weapons. You can’t fight. You’re armed with only a video camera, luckily equipped with night vision when you need it. But the batteries can run out. When being chased by a psychopath with a machete or a mutated creature from beyond, all you can do is run, hide, and hope they don’t find you. Trying to navigate an enormous labyrinthian mental asylum in this manner was damn hard, and really got my blood pumping.

Alien: Isolation is another that comes to mind. Also a first-person survival game, it’s based on The Ridley Scott Alien movies. If this game, you’re on a ship with a Xenomorph. You do get a few measly weapons. But nothing worthy of actually trying to fight it. They’re mostly meant for distracting the alien so you can run the other way and hope it doesn’t kill you. The game plays a lot like Outlast, but in Alien: Isolation, the Xenomorph is highly sensitive to sound. Make too much noise, you’re dead. Also unlike Outlast the alien appears randomly rather than the specifically placed foes in the mental asylum. This game is so terrifying the virtual reality version of the game was never released as the developers were afraid it could cause a heart attack.

Although Alien Isolation never made it, Virtual Reality is the next great leap in horror gaming. If playing the game on a screen in your living room has allowed some games to incite actual anxiety, I look forward to seeing what the future of horror can do with a game where you really are in the middle of the action.

Thanks for reading! If you enjoyed this post, follow my blog for more about horror fiction, writing, movies, and more!

∼Lee A. Forman

An Interview with Sirens Call

Today is the release of The Sirens Call eZine’s 34th issue!

I’f first like to thank all the contributors for submitting their work for this wonderful issue! I always enjoy reading their stories and poetry, and working with them is always a pleasure!

Now it’s time for a little shameless self-promotion! As a writer, I’m prone to such outbursts of my ego.

I was featured in an interview by Sirens Call Publications for this issue. You can read and download the magazine for FREE. It’s filled with great stories, poetry, art, and of course, a little insight into the mind of a particular horror writer. (That would be me).

Click the link below to enjoy!

The Sirens Call Issue 34

A Writer’s Bucket List

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I was inspired by a few authors who recently wrote bucket lists for what they want to achieve as writers. I enjoyed reading about their goals and aspirations, many of which matched my own. So I decided to jump on the bandwagon and do one myself.

  1. Publish my first novel

I’ve had a lot of work published since I decided to take writing seriously. But it’s all been short fiction. I have a novel which is so close to being finished it often surprises me how far I’ve gotten. But I always felt like it was taking too long to complete. The possibility that I might never finish it plagued my thoughts daily. And to make this fit my bucket list even more, I was literally afraid that I would die before it ever saw the light of day. But with it being so close to completion, I feel like I might just live to see it happen!

2. Have a table at a horror or book convention

This comes second, as I need to actually have something to sell at my table. I see authors selling their books at conventions, their table set up nicely with posters and themes that go with their book. I’d imagine myself in that situation, dream of doing that very thing for my own book. I kind of romanticized it in a way. The prospect of doing that for myself seems invigorating and even if I didn’t sell too many books, I’d go home happy just for having been there.

3. Write something amazing

I’m a horror writer. It’s what I’m best at. I’ve been obsessed with the genre for as long as I can remember. And I love writing it. But I hope to produce something that somehow transcends the creatures and gore. And while many of my stories do have a message or serious element behind the story, I want to write something where that aspect stands out and the piece is recognized for that quality.

4. Create a successful writing blog

Yes, I have a website, and I do write a blog post every now and then. My most successful ones are mostly about horror movies and other things about the genre in general. But I’d love to start creating posts about writing, offering tips and advice for new writers. I suppose I worry that I’m not qualified to give advice to new writers. What do I know? I’m not some hot-shot success story. But as I’ve traveled the path of a writer, I’ve come a long way and learned quite a bit. Maybe someday I’ll build the confidence to start giving advice to others.

5. Write an autobiography

I’d love to write about the journey that led me to where I am. The path I’ve followed in life has been arduous to say the least. It’s been full of tragedy and hardship. But I don’t complain. It’s brought me here, typing these very words you’re reading. And I wouldn’t trade that for anything. The difficult life I’ve lived more than likely adds a quality to my work that probably wouldn’t be there otherwise. So I’m thankful for the good experiences as well as the bad.

6. Write a book about my family history

I’m a descendant of survivors of the Armenian Genocide. My family history is appalling and tragic, and would make a damn interesting story. I’ve been gathering information about it for years, putting all in a file in the hopes that I’ll eventually get around to putting it together. It’s amazing that I’m even here after the events of the Genocide, considering my ancestors survived by a fine thread.

7. Have a novel in my local library

Doesn’t seem like a huge deal, and it’s probably not. But my love for reading was born in my local library, taking out three books at a time and plowing through them like there was no tomorrow. I’d love to have something of my own on their shelves. I want to be one of the names on the spine of one of those many books. To contribute to the huge number of titles for readers to discover.

9. Write Poetry

I recently had my first piece of poetry published. I’d never written a good poem before, and certainly never tried to have any published. But I was so satisfied with the results, it made me want to write more, and try to get them out into the world.

I guess that’s all for now. Who knows what the future will add or take away from this list. Only the words I produce will tell. I hope you enjoyed this little trip into my mind. If so, please like this post and follow my blog! It’s greatly appreciated!

 

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Why ‘Night of the Creeps’ is One of the Best B-Movies of All Time.

 

Aliens in bad rubber costumes, 1950s throwbacks in black and white, ax-wielding psychopaths, slug monsters, zombies, a detective with a dark past, and a full helping of campy 80s B-movie humor—this is the masterpiece that is Night of the Creeps. The recipe for this cult-classic sounds absurd. What the hell kind of movie has all that in it without being completely ridiculous? Somehow, Night of the Creeps managed to pull it off.

 

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Released in 1986, starring Jason Lively, Steve Marshall, and Tom Atkins, the film starts with a scene that doesn’t fit the rest of the movie at all—aliens on a spacecraft. Yes, aliens. In cheesy rubber costumes. They even went as far as adding subtitles in both English, and for some reason, the alien’s language as well. This is an odd but lovable detail, especially for this kind of movie.

After that it jumps to old-school black and white, representative of scenes that happen in the 50s. Although it’s been done before, the style during these scenes bring a unique quality to this type of 80s horror. And they add a backstory to everything that happens later. Slasher films weren’t common in the 50s, but had their golden era in the 80s. That’s what makes ax-wielding psychopath so special. Night of the Creeps has 80s written all over it, but the killer is in the black and white 50s scenes—a nice twist to the mashup.

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When the story jumps forward to 1986, it’s literally saturated with everything 80s. Frat parties, nerds, jocks, it’s all there. Jason Lively from National Lampoon’s European Vacation just tops it off. Adding to the B-movie humor, the homicide detective is given some of the worst lines of dialogue. But if you love that campy 80s style, it’s perfect. They bring that element to the movie while leaving the rest of the characters with more serious lines.

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Although the ‘zombies’ in Night of the Creeps aren’t really zombies, at least not the Romero variety, they’re damn close. I won’t spoil the movie, but they have something to do with the aliens and slug monsters, and when everything comes together, all the unusual aspects of this film create a masterpiece that still shines over thirty years later.

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Soundscapes and Screams

Some authors prefer silence while creating, others are fueled by melodies that play like the ghostly hands of a muse… In celebration of his new book, Screams the Machine, Sam Mortimer talks about music and how it plays a role in his work as a writer.

Soundscapes and Screams

Sam Mortimer

Every writer is different and has a method of transferring their unique world to page.  Music acts like a transistor in select writers’ stories, modulating the tale’s energy and revealing new angles. It’s interesting to see which bands and artists haunt a writer’s playlist. For instance, I learned about The Raveonettes, “Love in the Trashcan” from Stephen King’s playlist on Itunes years ago. Music connects like the cat’s meow, and right songs enhance the writing process, which hopefully creates an unforgettable reader’s experience. 

Sound or lack thereof, played an integral part in Screams The Machine. Even though music practically hums in my bones, during the first draft, the room stayed as silent as possible.  T’was a rather isolative feeling, but doing so helped preserve the story’s initial soundscape. Nothing interfered with the frequency, if you will. Even the fiction world’s imagery stayed pure and raw in my head, which hopefully allowed me to write better! Also, I wanted to ‘hear’ the breaths of the characters, their voices, and the ambience of the Screams The Machine’s dystopian world. As the story moved forward, an original soundtrack began writing itself in my head. If for some serendipitous reason Screams The Machine lands a movie deal, I’d love to compose a song or two that burned in my mind while writing the novella.

The second draft is where the party began, and least that was the case in Screams The Machine, when writing and music became starry-eyed companions. New energy bounced in and sound’s influence morphed aspects of the tale, hopefully revealing some depth to the world and its characters. Music works in mysterious ways I’d imagine for many writers.

The ambient band Stars of the Lid carried a hefty influence on a majority of Screams The Machine’s second and third drafts, especially during the protagonist’s, Randal Markins, phantasmagoric withdrawal from The All.  Stars of the Lid produce dreamy, intense sounds that give a celestial sensation; they know how to create a potent atmosphere, and that was precisely what Screams The Machine required.  

Randal’s trials and tribulations felt entirely focused while I listened to Stars of the Lid. His pain became clarified in my mind, almost real, and hopefully the reader can experience the same thing. His withdrawal from a presence called The All might’ve been entirely different if Stars of the Lid weren’t in the background.  If you’ve watched Twin Peaks, you’ve likely heard their music.

When Stars of the Lid didn’t play, droning deep-sleep inducing music was moving some particles in the air. Only I didn’t sleep much (still don’t) so the music never put me under—instead, I basically fell into a trance. The experience was gravely interesting, resulting in some of the prose you’ll read in Screams The Machine.

Next book you dig into, consider the soundscape. What surrounded the author as they wrote some of your favorite scenes? Were they jamming to The Rolling Stones, Nine Inch Nails, Even the Slept or Falls Lake? Maybe Tycho?

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Synopsis

Cash carries a disease; one that’s already killed a large majority of the population and something needs to be done. To stop the crisis from escalating, The Solution (a worldwide organization) is formed and rises to great power. They monitor people’s dreams and shape reality to fit their own wants and needs. In an effort to control existence itself, The Solution is searching for what they believe to be the ultimate tool; a person with the ability to master a deep connection with the mysterious, pervasive energy known only as The Ultimate Reality.

Watching her neighborhood decay, her friends and family perish, Elizabeth Reznik needs to find meaning in her life. She discovers her existence is more meaningful than she could ever have imagined. Operatives of The Solution seek her out, take her from her home and perform brutal experiments on her. Their conclusion? Elizabeth is the one they have been searching for; she is the key to gaining complete power.

The stratagem of The Solution is single minded – own the resources and you own the people. And the last resource available is free will. They will own your thoughts, they will orchestrate your dreams; they will dine on your fears. But there is always a cog in the machine… or in this case, a scream.

Available on:

Amazon:

US | UK | Canada | Australia | Germany | France | Spain | Italy | Japan | Mexico | Brazil | India | The Netherlands

Amazon Print: US | UK | Canada | Australia | Germany | France | Spain | Italy | Japan | Mexico | Brazil | India | The Netherlands

iTunes | Kobo | Barnes & Noble | Smashwords | CreateSpace (Print)

 

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Author Bio:

Sam Mortimer has worked the graveyard shift in law enforcement, attended film school, and has been writing strange stories since age eleven. He loves reading, music, and strives to meet the demands of his five cats.

A Kick in the Bucket List – Brent Abell

Today on my blog, I’m hosting a piece by Brent Abell in support of his blog tour about his new novel, The Calling. Here he’ll talk about what he calls his ‘writing bucket list’. We all know what a bucket list is. But when you’re a writer, everything revolves around your work, even the things you wish to achieve before you kick the bucket.

A Kick in the Bucket List

Brent Abell

I’m sure everybody out there has a bucket list. You know, the list of all the things you want to do before you die. Some people want to skydive. Some want to travel to new exciting tropical locations. Others want to go off and spend their kid’s inheritance on a week-long shopping bender.

Yeah, all of that sounds fun, but I’d rather finish off my writing bucket list.

When I started out, I sat down and thought long and hard about I wanted to accomplish with my writing. I had certain goals and other projects I wanted to complete before I bought the farm and took a dirt nap. So, here is my list. Overall, I haven’t done too badly and I hope to wrap some more up real soon.

  1. Get published. This one is a no-brainer. When you sit down and write those first words to a story, of course you want to be published. I’ve hit this marker numerous times and I hope to keep ticking this item off over and over again.
  2. Finish a novel. I began focusing only on short stories. At the time, I believed you had to earn your way up by starting small and building to longer works. I also partially did this to grow into novel writing. After a bunch of shorts and a novella, I wrote the first novel. Check.
  3. Be featured in a magazine. This is one I’m only halfway through. Yes, I’ve been featured in a few eZines, but I still want to have a print magazine appearance. Once I have a print magazine in hand, I’ll check this one off.
  4. Scripting a comic book. I am a huge comic guy and I really want to do this. When it comes to what I’d script, I’d go for either an adaptation of one of my stories or I’d like to do something original.
  5. I want to write a screenplay. This has a lead and I’m starting to adapt something for submission to a production company. I write with the movie of the story playing in my head anyway. This is a goal because I’m wanting to have an IMDb entry. It sounds shallow, but it’s really not.
  6. Continue to meet fans when I go to conventions and have readings. I started out early on this one. Even before I thought about a bucket list, I’d checked this one off. The first story I wrote, I read at a small conventions’s open mike and it set me on this path. It helped having one of my idols enjoy the reading. Now, I love marking this one when I go to a con and meet someone who loves the books. I write what I like and if other people like it, it’s icing on the cake.

I’ve met a lot of people and shared a lot of laughs on this journey. Writing has been fulfilling as both an escape and as an outlet to let the demons free. I count myself lucky to have readers enjoy my work and I hope the items on the bucket list, as I check them off, will give them new ways to enjoy the dark trips into my brain.

Read below for information about Brent Abell’s new novel, The Calling and to find out a little about Brent himself.

 

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The CallingBrent Abell

Carl Volker has a problem. After waking one morning with a hangover to find his wife gone, he notices a crow stalking around his yard.  As days go by with no word from his wife, more and more crows gather.

Frank Hill is sheriff in the seemingly pleasant town of White Creek. Up until recently, his job has been fairly mundane but after a recent spree of murders, bodies are beginning to pile up and Frank has no clue as to who the killer may be.

White Creek has kept its secrets hidden well over the years but the sins of its past are coming to light; the town harbors an evil and the bindings that keep it in check are beginning to unravel.

As Frank and Carl’s friendship is tested and their destinies are revealed, the dead accumulate while the crows watch and The Calling begins!

Available on:

Amazon: US | UK | Canada | Australia | Germany | France | Spain | Italy | Japan | Mexico | Brazil| India | The Netherlands

Amazon Print: US | UK | Canada | Australia | Germany | France | Spain | Italy | Japan | Mexico | Brazil| India | The Netherlands

Kobo

Barnes & Noble

iTunes

Smashwords

CreateSpace (Print)

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Brent Abell lives in Southern Indiana with his wife, sons, and a pug who sits around eating the souls of wayward people. His stories have been featured in over 30 publications from multiple presses. His work includes his novella In Memoriam, collection Wicked Tales for Wicked People, and novel Southern Devils; which are available now. He also co-authored the horror-comedy Hellmouth series. Currently, he is working on the second book in the Southern Devils series and the next book with Frank Hill in the White Creek Saga.

Facebook: Brent T. Abell

Twitter: @BrentTAbell

Blog: https://brentabell.wordpress.com/

 

The Ironic Fear of a Horror Writer

The Ironic Fear of a Horror Writer

by Lee A. Forman

As a writer of horror, I often create disturbing material and describe it in great detail. I come up with some pretty abnormal things sometimes, and my Google search history is not so savory… This is something all of us who’ve taken the journey into this genre have in common. But there are ironies in being a horror writer. Things that just don’t add up.

For me, it’s clowns.

Yes, clowns.

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Movies and books are fine. Killer Clowns from Outer Space is a movie I enjoy. I love Pennywise the Clown. And my favorite zombie in Zombieland is the clown at the end.

But real clowns? Get them the hell away from me. No offense to those who’ve worked hard to graduate from clown college (yes, that’s a real thing, you have to go to college to be a clown), but the mere sight of one chills me to the bone. Every time I took my kid to the circus, I made sure to stay far away from them. County fairs? Nope, I look the other way and walk quickly by before they try to make some kind of balloon animal for me that will haunt my dreams forever. I’m terrified of them. And I have no idea why.

What ironic thing frightens you as a writer? Feel free to leave a comment below! I’d love to see what fears other writers of the genre contend with!

John Carpenter’s Remake of The Thing Wasn’t a Remake

There seems to be some disagreement and misinterpretation on John Carpenter’s The Thing. I’ve read it online, spoken about the movie with other fans (as it happens to be a personal favorite), and keep hearing how it was a remake of The Thing from Another World. As a hardcore fan of these movies, I felt compelled to write about them, and how this popular opinion is contrary to what appear to be facts.

There are three renditions of the film, The Thing. John Carpenter’s 1982 version is arguably the most popular, which by majority opinion is a remake of the original, The Thing from Another World, originally released in 1951. Another addition to the franchise was introduced in 2011, which was thought (depending on opinion) to be a prequel of John Carpenter’s or second remake of the original 1951 classic.

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The Thing from Another World 1951

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The Thing 1982

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The Thing 2011

 

So there are two remakes for the same film? Sure, it’s not unlike Hollywood to rehash the same thing (pun intended) more than a few times, but this isn’t the case. In the original 1951 story, scientists uncover an alien spacecraft buried under ice near an arctic research station where they work. They find an extraterrestrial pilot frozen in the ice and dig it out. The being accidentally gets thawed out, and things go downhill from there.

The story of John Carpenter’s 1982 version is in fact a sequel to the original. In the story, American scientists working at a different arctic research facility are startled by a helicopter coming toward their base, which is chasing a dog, a man firing at it with a rifle. The dog escapes unscathed and the helicopter pilot is killed in an accidental explosion while trying to kill the dog with a grenade.

When the American scientists go to the other research base to investigate the strange behavior of the unexpected visitors, they find the place deserted and mostly destroyed. They also find video footage of the scientists finding the spacecraft and the chunk of ice the creature originally escaped from.

This tells us that this is in fact a sequel, not a remake. It follows events which take place after the original film.

The 2011 version, again considered a remake, technically is. But not of the film most people associate it with. It’s not a remake of John Carpenter’s film, but of the original 1951 version. It’s the story of the Norwegian scientists who found and unleashed the alien in the first place. The movie even ends with the dog escaping (presumably thought to be the alien creature) while being chased by a helicopter. This movie could be considered a prequel to John Carpenter’s version, if anything, as it ties the events together more closely than the original 1951 version.

I hope this makes you want to watch and enjoy these movies again (or for the first time if you haven’t seen them), if only to see for yourself how they are truly connected.

7 Obscure Disturbing Movies You Might Regret Watching

 

Fans of horror cinema love their movies. Most of us are always looking for that next film that puts us on the edge of our seat—literally. Once you’ve seen the worst of the worst it’s hard to get a good scare out of even the most terrifying scenes. There’s another way to achieve success in finding things that will scare even the most seasoned horror fan—find movies that aren’t necessarily horror, but unsettling in the worst ways. Stuff that makes you question your choices in movies, things that stick in your memory like a photograph, moments you know you will never forget. For the rest of your life…

Upstream Color

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In the movie’s description, it’s classified as a cerebral science fiction piece. And it is…but not one for the faint of heart. Some of the scenes are downright disturbing as hell. To put it simply, a thief uses hypnosis drugs obtained from a rare plant to violate and steal people’s money. The drug turns into a parasitic worm that must be removed from the victim. Once it’s removed it’s placed inside a pig. From then on, the person wakes up from the hypnotic state and has no memory of what happened, but retain a psychic connection to the pig who has their parasite inside it. The man who takes care of the pigs, (dubbed ‘the pig farmer’) touches the pigs and can see through the eyes of whoever had that pig’s parasite. The pig farmer breeds the parasite infested pigs and drops the piglets in a river. When the bodies decompose, the drug is reintroduced into the flowers where the hypnosis drug came from in the first place. It’s a difficult movie to understand. There’s very little dialogue, and much of the film is shot in short scenes that jump from one character to the next. It’s like pieces of a puzzle that you have to put together through interpretation, and the film as a whole can be seen from different perspectives.

I Don’t Feel at Home in This World Anymore

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This movie starts out as a quirky but well-made independent film, but has its unexpected moments that get absolutely gruesome. The plot revolves around a woman whose house is robbed. She calls the police but gets no help. She ends up meeting an oddball neighbor down the street who helps her track down her stolen laptop, but when they get it back, they discover the people who had it bought if from a pawn shop and weren’t the thieves after all. They go on a quest to find the thief and things go from weird, to bad, to an all-out WTF moment…

Fire in the Sky

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This was based on a true story, where a man named Travis Walton claimed to be abducted by a UFO and was subjected to terrifying and agonizing medical experiments. It isn’t exactly considered a horror movie in general terms, but it’s quite possibly the most realistic cinematic representation of an alien abduction ever created. The scenes of Travis Walton inside the spacecraft, the experiments and strange tools, and the physical appearance of the extraterrestrials themselves, are enough to induce nightmares in even the most seasoned horror fan.

One Hour Photo

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When one thinks of a movie starring Robin Williams, titles like Patch Adams, Jumanji, and Mrs. Doubtfire come to mind—movies full of good laughs. But late in his career Robin Williams began to explore darker roles in movies like Insomnia and The Final Cut. But none of these films compare to the horror of One Hour Photo. The film is about a painfully lonely man who works as a one-hour-photo technician. He becomes obsessed with a particular family who over the years have had their film developed where he works. He has an entire wall in his apartment covered in every photo the family has ever taken, lit up by industrial spotlights. It’s by far the most disturbing role Robin Williams ever played, and just the fact that it’s him makes it even more unsettling.

Eraserhead

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Anyone who knows the name David Lynch has seen some messed up stuff that doesn’t really make any sense. Even if you try to rationalize what you see in his films, it just doesn’t add up; there are always loopholes. But his first film is undoubtedly his most horrifying. The entire atmosphere is filled with unsettling sound and desolate images. But the ending is what burns into your memory. It’s something you’ll probably remember as long as you live. There’s speculation on what the true meaning of the film is, even though it makes more sense than most of his other work.

The Lobster

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This film is extremely unusual and the reality it portrays is terrifying. It’s set in a world where being single is unacceptable by society and is even prohibited by law. If you’re single for a certain period of time, you’re sent to a rehabilitation center with other single people and given a short deadline to find a mate. If you can’t find one, they use a strange technology to turn you into an animal of your choice. The main character chooses a lobster, and enters the center with his dog (who is actually his brother turned into a dog). He tries and fails to find a partner. In fear of being turned into an animal, he escapes and finds a band of rebels living in the forest outside the facility, who ironically are opposed to being in a relationship and punishes its members if they don’t stay single. He’s thrown from one extreme to another, but finally finds love. And pays a high price…

Antiviral

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David Cronenberg is known for making some of the best and most memorable horror films out there. And although none of his movies are on this list, he’s worth an honorable mention. And because his son, Brandon Cronenberg made this movie. It’s set in the future, where obsession with celebrities has become a disturbing phenomenon. When celebrities get sick, or get a disease, fans can purchase the disease and experience it themselves, making them feel closer to their favorite star. A company purchases blood samples directly from sick celebrities and infect customers with it. If that isn’t twisted enough, there are butcher shops that cell cloned human meat, and it’s cloned from the cells of their favorite celebrities. In this sick world, one can actually eat their favorite movie star, singer, or other famous person. But the ending of the movie is where it crosses the line. I won’t spoil it for you. See it for yourself…

Terrifying Books That Aren’t Horror

You all know me as a horror writer. That being said, I naturally read horror—a lot of it. But I love other genres just as much. Good horror is full of as much intellectual value as any other respectable genre, and I’ve argued this point before; there are people out there who write off horror as pulp for the gore-loving masses.

But in this post I’m going to talk about some other great and interesting reads that have had an impact on me as a writer and influenced my work. Words that have touched my soul. Stories that have birthed my muse and continue to shape it still.

If you’ve not read these already, I hope you’ll enjoy them as much as I did.

  1. 1984 by George Orwell

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Although not in the horror genre, this book is quite terrifying. I know 1984 is a book most people know about, and it’s an obvious choice, but I have a personal relationship with it. Anything dystopian, whether it be books, movies, or video games, always grabs my interest. And I can’t think of many dystopian future’s worse than this.

  1. The Trial by Franz Kafka

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This book builds anxiety and never stops. A truly realistic and terrifying concept. A man is put on trial for a crime, but isn’t allowed to be told what the crime is. The story just goes deeper and deeper into the psyche like a drill.

  1. The Plague by Albert Camus

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A story of isolation set in the background of a plague. The city is quarantined and completely cut off from the rest of the world. The story is told through the eyes of a doctor trapped with the rest of the city. I can’t think of any real situation that would bring unrelenting misery and fear the way this does.

  1. House of Leaves by Mark Z. Danielewski

house-of-leaves

I’m not even sure what genre this qualifies as. It’s a book of madness, written in a perplexing and often frustrating way. Many pages have text written upside down or sideways, or even in squares and triangles. Some pages have little more than one word. It’s a long read but it has some truly terrifying moments.

  1. A Portrait of the Artist as a Young Man by James Joyce

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This book is included primarily for his description of Hell and eternity. It’s terrifying in the way it makes you understand how long eternity actually is, and in a place of unimaginable suffering which he paints almost too well.

6. In the Penal Colony by Franz Kafka

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I know I already mentioned Kafka in this list, but I have to mention him again for this piece. Although not a full novel, this story is absolutely horrifying. It’s about a machine that inflicts punishment for crimes. It’s one of the most graphic depictions of torture and death I’ve ever read.

  1. Childhood’s End by Arthur C. Clarke

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This science fiction classic starts with first contact. Alien ships descend and take control of the Earth with seemingly peaceful intentions, but refuse to reveal themselves. This one keeps you suspicious of their true intentions the whole way through.